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Subscription vs. Perpetual License: Why Subscription Software is Actually Cheaper

When debating subscription vs. perpetual license, most people think a perpetual software subscription is less expensive, but in reality, that isn’t the case.

Since the up-front cost of a perpetual license is often a considerable amount, people feel like they can keep the software forever, but that’s not really true because eventually, you’re going to want to upgrade or need support which is often only provided for an additional fee.

So, let’s say you pay 25% of the initial up-front costs for that yearly support and upgrades. You are essentially paying for your software again every four years.

Or, consider the fact that you must buy a certain number of licenses up-front for each individual using the product rather than purchasing just one software for everyone. It’s often a cost many forget to factor in. Not only that, but what if someone leaves and you decide not to fill the role? There is an unused license that you will not recover costs on.

The other big drawback? If you use a perpetual software, you have to employ or have someone on contract to manage the entire software which includes obtaining the servers, fixing any errors or bugs, etc. It’s a big expense to manage in terms of both cost and time.

Let’s say you have a perpetual software and it’s housed in an on-premise data center – who has to fix any issues or bugs as the arise? For example:

  • What happens if the software is running slow?
  • Or, it’s running out of disk space?
  • A new version of Google Chrome comes out, and it breaks the on-premise version, but you don’t have support?
  • Or, an upgrade is required, but all of a sudden the software isn’t working?

In all of these instances, fixing the problem would fall on you, the customer. But, if you were using a subscription software, the software company would be there to help you fix any problems that arise – no extra costs added.

For most SaaS software out there, all you need is a web browser, but if you want to run it on-premise, you would need your own data center – a server, battery backup, back of the data, etc. The costs increase with on-premise software which is why subscription-based software can be very efficient.


Getting Into Pro Tools

Our short series on getting started with Pro Tools continues with some advice on configuring the software and your first Sessions.

Last month, we looked at the hardware choices that are available when buying a Pro Tools system. Having guided you through that particular maze, this month we offer advice on getting the software side of the system up and running smoothly.

Configuring Your Computer

Digidesign make some fairly detailed recommendations about how to set up your Mac or PC to work well with Pro Tools: the Troubleshooting guides on the Digidesign User Conference ( give detailed guidance about what doesn't play well with Pro Tools on both platforms.

A few of the more obvious recommendations include turning off automatic OS updates. This is because Pro Tools isn't immediately compatible with the latest version of the Mac OS, so don't upgrade your operating system until Digidesign have approved it, if you want a quiet life! On Mac OS X, the default keyboard shortcuts conflict with Pro Tools shortcuts, so go to System Preferences and turn off all the shortcuts in both Dashboard and Exposé. Likewise, in Spotlight you need to turn off the two shortcuts at the bottom of the Pro Tools Lifetime Key., as they conflict with the Record shortcuts in Pro Tools. While in System Preferences, turn off Energy Saver too — Pro Tools really doesn't like the hard drive to spin down whilst it's running!

Authorising Pro Tools

The first time you run Pro Tools LE, you will asked to enter your serial number. You will find this on a piece of Digidesign paperwork, usually inside the front cover of the 'What's new…' documentation, and it will start with 'DIGI0800 xxxxxxx xxxxxxx' where the x's are a series of numbers and lower-case letters.

The Pro Tools LE software won't run without a Digidesign interface plugged into your computer, making the interface effectively a dongle. Pro Tools M‑Powered and HD systems, by contrast, are authorised using an iLok key.Pro Tools M‑Powered and HD systems require an iLok key, as do most third‑party Pro Tools plug‑ins.Pro Tools M‑Powered and HD systems require an iLok key, as do most third‑party Pro Tools plug‑ins. This is a USB device that holds licences for some Pro Tools software and plug‑ins. It is a multi‑platform device and can hold up to 100 licences. You can have software installed on a number of machines but it will only run on the system you have the iLok plugged into.

Most plug‑in manufacturers use iLok to protect their software from piracy, so although you might not need an iLok to start with, it won't be very long before you do. Once you have any software that uses iLok, you will need to register and open an account with This account keeps track of your licences ('assets'); when you buy plug‑ins on‑line, the suppliers will often deposit your assets into your iLok account and then you transfer them onto your iLok.

Two final tips on iLoks: if you own any Waves plug‑ins, it is best to keep their iLok licences on a separate iLok from other manufacturers, as they work differently when it comes to resolving problems with a broken or lost iLok. Second, make sure your iLok is covered by your insurance, as if it is lost or stolen, you will need to claim on your insurance to replace the lost software. For more details on iLoks and their use, and what to do when things go wrong, take a look at the Pro Tools workshops in the August 2008 (/sos/aug08/articles/pt_0808.htm) and November 2005 (/sos/nov05/articles/ptworkshop.htm) issues of Sound On Sound.

Creating A New Session

Before you can make any music in Pro Tools, you'll need to create a project — or a Session, as they're known. Pro Tools 8 gives you the option to do this at start‑up, or you can choose New Session from the File menu.

When creating a new Session, especially in version 7 and earlier, it is easy to just give it a name and click the Save button without filling in the Session Parameters. Since these include the location of the Session on disk, this often leads to the cry "I can't find my Session!” If these settings aren't correct, you won't notice until much further down the road, when fixing it could take quite a while, so take my advice and spend a little time here. Happily, in Pro Tools 8 the Session Parameters are harder to miss, as once you have selected New Session from the File menu you are presented with this window. Let's take a look at the various options that are available here. If you don't pay attention to your Session Parameters, you could be storing up trouble.If you don't pay attention to your Session Parameters, you could be storing up trouble.

  • The Audio File Type determines the file type for all audio files created by Pro Tools for this Session. These days I can see little if any justification for using any file type other than BWF (Wave files).
  • Moving on to the Sample Rate drop‑down menu, the hardware you have will determine what options you are offered here. The screen shows what you get on an HD rig with a 192 I/O attached. Some LE systems will offer a range of sample rates from 44.1 to 96 kHz, while others are limited to 44.1 or 48 kHz. Don't automatically choose the highest number here! Depending on the rest of your signal chain, you may get higher quality at higher sample magic dvd ripper unlimited uses, but you will produce larger audio files and put more load on the computer. It's also worth bearing in mind the final format you're working towards: for music or radio project, 44.1kHz or one of its multiples is usually best, but if you are working on a TV project, choose 48kHz or one of its multiples.
  • Bit Depth, like sample rate is a quality versus performance trade‑off; 24‑bit files can represent a greater dynamic range, but will be 50 percent larger than their 16‑bit counterparts. Again, you pays your money and takes your choice.
  • Pro Tools will offer a range of default I/O settings, and you can create your own from the I/O Setup window by selecting 'I/O.' from the Setup menu. For much more detail on configuring your own I/O setups, see the Pro Tools workshop article in the August 2007 issue of SOS (/sos/aug07/articles/ptworkshop_0807.htm).

Once you have made your choices, in Pro Tools 8 you can click OK and the system will offer you the usual navigation box to select where on your system you want to save your project. Remember that although eset nod32 antivirus crack 2019 - Activators Patch can save Pro Tools Sessions on your 'C' drive or Macintosh HD drive, it isn't recommended: an external audio drive is the best location for your Session.

The Edit & Mix Windows

Now you have created a new Session, you will get two mostly blank panes, which are the Edit and Mix windows. An Edit window with two newly created audio tracks. Above these is the Toolbar.An Edit window with two newly created audio tracks. Above these is the Toolbar.These are the two main windows in Pro Tools, but before you can do anything with them, you need to create at least one track; hit Shift+Command+N (Windows: Shift+Ctrl+N) or select New from the Track menu. From the window that appears, you can choose your track types and how many of each you want. This isn't a 'once in a lifetime' choice; you can go back into this option at any point and add more tracks as you need them. Now you will see that the Edit and Mix windows look a little more populated. There are many options as to what is displayed or hidden in each of these windows — visit the View menu to explore the possibilities. The same two tracks as they appear in the Pro Tools 8 Mix window.The same two tracks as they appear in the Pro Tools 8 Mix window.

Across the top of the Edit window is the main toolbar. From left, this contains the Shuffle, Slip, Spot and Grid buttons, which determine how you can move material ('Regions') around in the Edit window. Next are the Zoom settings, then the main Tool selection — more on what each of these does in a minute. After this is the Counter section, which also will display the start, end and duration of any selected Region(s). Then come the Grid and Nudge settings. When Grid edit Pro Tools Lifetime Key. is selected, regions will 'snap' to grid lines, and the grid itself can be set up so that the lines fall on the beat for music, or on the frame boundaries for video post production. The Nudge setting enables you to move Regions forward or back by the set amount displayed in one of the full variety of timeline (ruler) options. Finally comes the Transport section, with the usual transport function buttons, most of which duplicate what's available in the separate Transport window.

Before you actually record anything, you'll need to select the correct input for your track, and click the 'R' button to record‑enable it. It's important to name the tracks (double‑click on the track name to do so), as Pro Tools derives its default file names from the track name, so if you don't name them, you'll end up with hundreds of files called things like 'Audio 1_01‑152'.By default, files that you record are named after the track they're recorded on to.By default, files that you record are named after the track they're recorded on to.Fail to name your tracks, and your Region List could look like this!Fail to name your tracks, and your Region List could look like this! If you do want to rename a file, select the Grabber tool and double‑click the Region either in the track or in the Region List (the fold‑out panel at the right of the Edit window). Always choose to rename both the region and disk file, so that the file in the Audio Files folder gets renamed as well. This will help you when you want to borrow files from another Session.

Be Smart

I promised to talk more about the Tools pane. You can find details of what each tool does in the Pro Tools documentation, and I recommend that you start to use the Smart Tool straight away. You will find routine editing and manipulating in Pro Tools much easier and quicker.

The Smart Tool is a composite tool that changes its function Pro Tools Lifetime Key. on whereabouts you hover the mouse. To activate the Smart Tool, click on the linking bar above the three main tool buttons in the toolbar, or hit F6 and F7 simultaneously. The Smart Tool becomes the Selector (I‑beam) tool when you hover it above the centre line of the track you are working on. When the cursor is below the centre line of your track, you will see it change to a 'hand' — the Grabber tool. Place the cursor near a Region boundary near the middle of the track and you will see that it changes to the 'sideways staple' Trim tool, allowing you to drag the Region to make it longer or shorter. The Smart Tool morphs between several different functions depending on where the mouse is in relation to your target Region.The Smart Tool morphs between several different functions depending on where the mouse is in relation to your target Region.Getting Into Pro ToolsGetting Into Pro ToolsGetting Into Pro ToolsGetting Into Pro Tools

However, we are not done with the Smart Tool yet! If you place the cursor near the beginning or end of a Region and near the top of the track, you will see that it changes to a little box with a diagonal line. Click, hold and drag the mouse, and you will create a fade on the Region. And there is still more: if you place the cursor near a Region boundary between two Regions near the bottom of the track, Pro Tools will offer you the option to create a crossfade: again, click, hold and drag the mouse out to create a crossfade of the desired duration. The shape of all the fades is set by the default fades settings in the Editing tab of the Preferences, which you can get to from either the Setup or the Pro Tools menus in Pro Tools. (In general, the default Preferences settings will enable you to get going with Pro Tools, but sooner or later you'll want to take a detailed look at your Preferences settings, as described in our March 2007 Pro Tools workshop: /sos/mar07/articles/ptworkshop_0307.htm).


Next month, we will continue this series with some more detailed trips into different parts of Pro Tools that you will need to come to terms with as you use Pro Tools more and more. In the meantime, there is loads of advice and a huge amount of support from Digidesign and users like you and me on the Digidesign User Conference (DUC) at There are 'Stickies' at the top of each section of the DUC, which are a mine of information. If you want a quiet, no‑hassle life with Pro Tools, I recommend you read and follow the advice.  

Get Your Levels Right

When recording audio into Pro Tools, it is worth taking a little time to make sure you are recording at the optimum level. With digital recording, you need to make sure you leave enough headroom to cover the unexpected peaks, without the overall level being too low. After all, you don't want to be in the horrible position of telling your client that the superb take they have done is in the bin because it is distorted!

This is something that needs to be set on the recording hardware, as Pro Tools software doesn't have any record level controls — the fader only acts as a monitor level control, even though it turns red in record mode. On an HD rig, you will need to adjust the level coming from your mixer or mic preamps, while most LE hardware has record level controls on the interface that you can adjust. You are, ideally, looking to have the Pro Tools meters in the lower part of the yellow section but leaving some headroom, so that the occasional unforeseen peak does not light the Peak lights and distort.

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Support for Windows 7 ended on January 14, 2020

We recommend you move to a Windows 11 PC to continue to receive security updates from Microsoft.

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Genuine versions of Windows are published by Microsoft, properly licensed, and supported by Microsoft or a trusted partner. You'll need a genuine version of Windows to access the optional updates and downloads that help you get the most from your PC. 

Here are answers to some common questions about genuine Windows software.

Look for key features of genuine Windows software, such as the Certificate of Authenticity (COA), a proof of license label, and an edge-to-edge hologram. For more information, visit the Microsoft How to Tell website. Your safest option is always to buy Windows from Microsoft, or to buy a PC with Windows preinstalled directly from Microsoft or a store you know and trust.

If you're seeing these notifications, it's likely that your copy of Windows wasn't properly activated. Click the notification and follow the steps to repair Windows or buy a genuine version of Windows if you find out the software is counterfeit.

Note: In Windows 8.1, you'll receive periodic reminders that Windows is not genuine until you correct the issue, and your desktop may also turn black to emphasize the messages. You can reset it, but it will return to black every 60 minutes until the issue is resolved.

Windows will always be able to get critical security updates, even if your version isn't genuine. However, other updates and benefits are available exclusively for genuine Windows software.

Activation helps verify that your copy of Windows is used only on PCs that the Microsoft Software License Terms allow. It pairs your product key or digital entitlement with your hardware configuration. Usually, you only need to activate Windows once, unless you make a significant hardware change.

When your PC downloads updates, Windows checks to see if your product key or digital entitlement is valid. If it is, you're eligible to receive the latest updates from Microsoft. If it's not, your PC is running non-genuine Windows.

You can't install Windows on more PCs than the Microsoft Software License Terms allow. Usually, a copy of Windows can only be installed on one PC. To learn more about licensing Windows on more than one PC, go to the Microsoft Volume Licensing website. 

Yes. You'll still be able to get critical security updates. However, many updates are exclusively for customers with genuine versions of Windows. We strongly recommend that you get genuine Microsoft software immediately to keep you safer while using your PC.

Validation is an online process. It verifies that your copy of Windows is genuine and that critical Windows licensing files haven't been damaged, deleted, or removed. It takes only a few moments and lets Microsoft create a match between your PC's hardware profile and your 25-character product key or digital entitlement.

Your copy of Windows may need to be validated before you can get downloads and the updates which are reserved for PCs that are running genuine Windows. Windows might also prompt you to run genuine validation if activation isn't properly completed.

If your copy of Windows fails validation, you'll see a results page that tells you why it isn't genuine. You'll also see info about how to resolve the issue.

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  • Repairs. If skyline personal mobile app maker crack - Crack Key For U PC has been repaired, you might start to see messages on your desktop that Windows isn't genuine. If the repairs required Windows to be reinstalled, the technician may have activated Windows with a different key than you used when it was originally installed. You might not see the messages until you try to download something from the Microsoft Download Center that requires validation, and validation fails. To fix the issue, you can properly activate Windows by reentering your original product key.

    For other issues, you may need to buy a genuine version of Windows.

  • 1 License = 1 PC. Another common cause of Windows validation failure happens when you try to install Windows on more PCs than your license allows. For instance, if you purchased a copy of Windows and installed it on more than one PC, online validation might fail because the product key has already been used on another PC. The rule for most copies of Windows is that only one copy of Windows can be installed on one PC. To learn about licensing more than one PC, go to the Microsoft Volume Licensing website.

  • Counterfeit software. Validation will also fail if you’ve inadvertently acquired and installed counterfeit Windows software. The Microsoft How to Tell website can help you identify counterfeit software and file a counterfeit software report if needed. Validation failure is common for versions of Windows that were purchased from an online auction site, or if Windows was on a used PC that you purchased. Remember to ask the seller for the Certificate of Authenticity and the original Windows disc, if there was one.

To file a counterfeit report, go to the Microsoft How to Tell website.

You can file an online report if you inadvertently bought or received counterfeit software, or have information about a person, business, or online site that might be selling counterfeit software. The report you submit will be treated as confidential. Microsoft devotes substantial time and energy to fighting software counterfeiting, and you can be assured that we will take appropriate action in response to your report.

You’ll need a product key when you install Windows. To learn more, go to Find a product key.


Avid Pro Tools Vs. FL Studio: Head-to-head showdown for 2021

Head-to-Head Comparison

Ok, here’s what you’ve been waiting for. It’s time to put these programs up against each other and see which ones excel in each of our key categories:

Ease of Use

Winner: FL Studio

Why: “Ease of use” is a somewhat subjective category, but when users were polled on G2, FL Studio was given the edge in this category. Part of the reason for this is that Pro Tools is a huge platform with tons of functionality, which means it has a lot of uses, but also a bit of a learning curve. FL Studio is a slightly more slimmed-down program, which makes it a little bit easier for beginners to get the hang of the workflow slightly faster than with Pro Tools.

Sound Editing Functionality

Winner: FL Studio

Why: This category is also subjective, but when it comes to sound editing, FL Studio also has a bit of an edge over Pro Tools. The platform was originally designed for DJs and electronic music producers, so it weights most of its features towards editing and mixing and tries to make these as easy and functional as possible. The biggest standout in sound editing is its ability to efficiently write and edit MIDI files, something that Pro Tools is capable of, but many users found to be much less efficient than FL Studio. 


Winner: Avid Pro Tools

Why: Here’s a category where Pro Tools has the clear advantage. FL Studio is aimed towards electronic music producers, most of which don’t sample much live audio. Pro Tools, on the other hand, excels at capturing live performances and live recordings of all kinds. This is why you’ll see Pro Tools most commonly used in professional recording studios. Pro Tools has all the features one would expect to record live sound. 

Sound Mixing

Winner: FL Studio

Why: Now we’re back into the arena where FL Studio reigns supreme. FL Studio includes what is widely considered to be the best Piano roll in the business, and can send note and automation data to a vast assortment of plugin instruments. This makes it exceptional for music production. It also includes features like effects chains, audio sends, sidechain control, advanced automation, plugin delay compensation and tons of other features that are essential for a complex sound mix.

Quality of Support

Winner: FL Studio

Why: Both Pro Tools and FL Studio have extensive support infrastructure, but overall users found the quality of support offered to be slightly higher for FL Studio than Pro Tools. FL Studio has a learning center, support community, and professional software support to cover nearly any challenge you may be having while using the software.   

G2 Rating

Winner: FL Studio

Why: G2, one of the most trusted sources for software reviews, rated FL Studio as a solid 4.5/5 stars, while Avid Pro Tools only scored 4.3/5. Both ratings put these programs at the top of the market, but in this case, G2 reviewers found FL Studio to have a slight edge over Avid Pro Tools in areas such as ease of use, ease of setup, ease of admin, and ease of doing business.

Capterra Rating

Winner: Tie

Why: Capterra users rated both FL Studio and Avid Pro Tools a 4.8/5 stars, giving them a dead tie as two of the best DAWs available on the market.


Winner: It Depends

Why: It’s hard to determine a winner for price between these two programs because they use very different pricing models.

Avid Pro Tools uses a subscription-based model which starts at $299 for a 1-year subscription paid up-front. However, for students and teachers, this price plummets to just $99 per year with a qualifying academic eligibility. Pro Tools also offers a "Pro Tools Ultimate" version with additional tools

FL Studio has a different pricing model, where they still offer a software ownership structure. The FL Studio “Fruity Edition” starts at just $99 and is designed as their entry-level option. This tier does not include audio recording capabilities or any plugins, but allows users to get familiar with the program layout and features. The “Producer Edition” includes audio recording capability and additional features and plugins and is just $199. 

Additional premium packages are also available. The biggest pricing deal that FL Studio offers is their “lifetime free updates,” which means once you purchase FL Studio, you’ll never have to pay for the latest edition. 

Who is Pro Tools Best Suited For?

Audio Producers Who Do a Lot of Recording: Pro Tools is considered the industry standard for professionals, so for anyone looking to make a long-term career as an audio producer, you’re more than likely going to end up on the Pro Tools platform at one point or another. It’s also one of the best platforms for live recording, so if you’re looking to work with live sound, Pro Tools is likely your best bet. 

Who is FL Studio Suited For?

EDM Producers: FL Studio was specifically designed for electronic music producers, so it’s going to feel like a natural fit for most people in this genre. Its tools and features are designed to make electronic music production simple and efficient, but allow for tons of complexity if you want to push the envelope.  

Sound Mixers: Thanks to its efficient MIDI tools and tons of plugins, FL Studio makes an excellent platform for sound mixers who like to design their own sounds and manipulate tracks. 

So, Which One Should You Choose?

With both programs sharing a heavy amount of overlap with each other, choosing which one you’d like to work with will likely come down to what kind of projects you like to work on and whether or not you want to do lots of live audio sampling and recording. 

Ultimately, the final decision should come down to which platform makes it easiest for you to work on your audio projects with little resistance, and to decide that, we always recommend taking advantage of the free trial that each offers so you can get your hands dirty and figure out which platform you find easiest to work on.

Hopefully this head-to-head comparison will make choosing the right software for your next project a breeze, allowing you to unleash your creative energy and focus on creating crystal-clear audio mixes that surprise and delight your audience.

If you’re looking for a better way to bring your remote audio editing team closer together and collaborate more efficiently from a distance, check out Evercast. Evercast allows you to stream your edit sessions, whether you’re on Logic Pro X or Pro Tools, in full-HD while video chatting and exchanging notes with your team, all under one platform. Because we believe collaboration is the magic behind unlocking your best work.

Additional Comparison Guides for Pro Tools:


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